Zionists in positions of economic, political, or cultural power must be rooted out and held accountable for their racist, genocidal views and activities.
Zionist hysteria over the ongoing genocide in Gaza has been escalating for many months. Advocates for Palestine have been attacked, bullied, smeared, sacked, and victimised in government, business, universities, and the cultural sphere.
The recent explosion of angst and massive campaign to cancel the Irish hip hop band Kneecap is an indication that this campaign may be over-reaching.
A group of 35 music industry insiders tried and failed to have Kneecap removed from the bill at Glastonbury. I was passed the secret email and reported on its contents, as well as setting out a long thread on X identifying each of the signatories. But Glastonbury showed the tipping point we have reached with opposition to the genocide. Not only Kneecap but a slew of other artists at Glastonbury expressed some kind of support for the Palestinians, in marked contrast to the previous year. The decision by the BBC not to livestream Kneecap because of Zionist pressure diverted their attention from other acts that might say something. Bob Vylan, a punk/rap duo, took full advantage, coining a new resistance chant which rapidly spread all around the world in a day: "Death, Death to the IDF." Within days, the slogan was in multiple memes, on multiple TikTok reels, and printed on t-shirts and other merchandise.
Predictably, the Zionists lashed out at Glastonbury at the BBC and directly at Bob Vylan, with the Trump administration leaping to placate Zionist bosses by rescinding the US visa of the band and the US-based United Talent Agency dropping them from their roster of artists and entertainers. (more...)
Zionist infiltration of entertainment industry: The case of United Talent Agency
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